Easter 2009 and my latest paperback book is being published by Authentic Media in the UK, India and the USA. It’s called ‘Storm Force: winning the battle for the mind’ and it deals with many of the issues and lessons that have come into my life as a result of being seriously ill for the last 13 years.
If you would like to know more, visit my dedicated website http://www.storm-force.info Thanks.
Writers’ block is that discouraging condition of the author’s mind when there just doesn’t seem to be anything left to write about. It can strike at any moment, whether early in the life of a manuscript after the intial flush of ideas is down in print, or later when so much has been said and yet the word count is simply not high enough.
Beating writers’ block is an art, not a science, and very much depends upon your personality. There are, however, ceratin simple steps you can take to overcome this perennial enemy:
The above ideas will not prevent the dreaded wwriters’ block, but may well give you some resources to overcome it. At the end of the day it is something that affects all writers face from time to time – so maybe it is a sign of your true calling!
Enjoy your writing.
I’ve got a great editor. She works hard and tells me every fault that she can see in my book manuscripts before they go to Production. Which is fine – except that she takes no prisoners, and if she sees any hint of inconsistency or error in my work she tears at it like a lioness at her prey. The result is painful, but if I will allow it, can be highly productive.
I think a lot of writers struggle with being edited. I don’t – usually! This most recent manuscript for ‘Storm Force: winning the battle for the mind’ due out in January 2009 with Authentic, has had its moments. The editor was searingly honest with me about one or two places where I had, frankly, lost the plot. I was feeling very unwell, in fact just after sending off the corrected manuscript I got carted off to hospital in an ambulance. So I got all touchy and wrongly presumed that she had given up on the project. This was simply not the case at all. She was just doing her job and doing it well.
My counsel, for what it is worth, is that good editors are worth their weight in gold. Work with them; cooperate with them; appreciate them. Touchiness and posessiveness about our writing will probably only mean that it will end up in the waste bin. Avoid that danger. Make your words count – get yourself a good editor!
The attention span of the average reader on the Web is short, so your paragraphs need to be short too. Your words and sentences also need to be short and punchy. Here are some ‘writing for the Web’ tips from me:
There is no point in spending time using flowery prose and vivid description on the Net. It’s all about communication and it’s all happening fast!
Keep posting – and let me have your tips too.
Back soon.
I write copy for the Web. It’s a whole new world. Being paid to write for the Internet is great – but very demanding! There are just so many differences from any other form of published writing:
I usually edit my words in three seperate stages. They are each important and progressively more difficult. Next time I’ll let you know what the first one is. Keep ‘em scrolling!
Following six months of battling with writers’ cramp, writers’ block and most other scribing ailments, I finally managed to send in the draft first manuscript of my next book Storm Force at the end of April. The publishers (Authentic Media) had given me a deadline in May, so I was glad to beat it, even if only by a couple of short weeks. What a relief! Despite the feeling that I was sending off my third-born child to a complete stranger, and the misgivings about what the editor will do to my precious work when she gets hold of it, I was elated at the development. I made certain decisions then which I think were important:
Now I am just waiting for that awful moment known as ‘the editor’s first report’ when I probably will hit the bottle big time!
I just got hold of my very own copy of the New Oxford Dictionary for Writers and Editors. What a goldmine! I always struggle to get spelling and layout right, especially for the written page, and this is a real treasure. So, a good addition to my own library.
A good worker makes sure they have the right tools. They pay precious money for them, looking after them and bringing them out at just the right time. This one shows the different spellings in American and British English (two peoples divided by a common tongue!) as well as changing norms in foreign words that are becoming acceptable. It also exposes common errors and variants and lets you know when capitalisation is appropriate.
So, if communicating in print is your thing, what’s in your toolbox? All suggestions welcome!
If there is one thing that makes a piece of autobiography really interesting it is transparency. We love to get a peek at the inside thinking of prominent people – well of anyone really who will allow us entrance to their inner world. I suppose we are by nature curious (did I hear you say nosey?) and it brings communication to life if we feel that the speaker or writer is taking us into their confidence and being real about their own problems.
Such a stance has not always been popular. Pulpits were built six feet above contradiction. Royalty were portrayed as if they inhabited a different universe without toilets and tummy bugs. From lofty perches we were lectured and harangued as to what was good for us as if we could not know for ourselves. No longer will audiences put up with such arrogance, nor will they respect any kind of ‘holier than thou’ hectoring.
It is interesting to read the Sermon on the Mount and see the comment made near the end that ‘the crowds were enthralled’. Jesus was a master communicator and he touched base with his listeners by talking about their journey through life as a fellow-traveller. Unlike the formal scholars and teachers of his day he refused to talk down to people, and he told it like it was. He didn’t just ‘talk the talk’, he ’walked the walk’.
That is still the best template for effective communication.
The No1 Ladies Detective Agency was a triumph for Easter television on BBC1. It revealed a side of life in Africa that most people in the West overlook. There was old fashioned good manners, masterfully blended with intrigue and the victory of good over evil. Not a petty dictator in sight (if you can excuse Mai Makutsi the straight-laced secretary) no starving orphans (there were orphans but they were the singing and dancing type) and not an AK47 to be seen.
This was the Africa I remember from our years living in Zimbabwe and before that in Seychelles. And clearly it was the Africa that Alexander McCall Smith recalls, having been brought up there. It was certainly very hard to keep it in mind that this amazing piece of television drama was scripted in Edinburgh by a Scottish academic!
This is the key to effective communication. Shatter stereotypes and take readers and viewers by surprise. Lift the lid instead of just turning over the stones. Surprise us with an alternative view – plenty of fabulous characterisation and pathos. Let’s hope it won’t be long before the next one in the series.
Welcome to my new writing blog. I hope to share stuff with you here that will help you to communicate more effectively – in public speaking and in writing. So – here goes!
